Tag Archive for Thomas Hardy



Over five thousand years ago the Neolithic people of Britain began to erect a monumental stone structure known as “Stonehenge” on the Salisbury Plain. The name likely means “hanging” or “suspended” stones. The structure underwent several changes over the years of its construction, reaching its final form around 2000 BCE.

The stones are of two kinds. The largest are the sarsens, which have their origin in the hills about 40 km north of Stonehenge. The word “sarsen,” first used at the time of the Crusades, comes from “Saracen” and essentially means “pagan.”

The smaller bluestones come from the Preseli Mountains in Southwest Wales 240 km away. Most archaeologists currently believe that these were transported across the Bristol Channel and then overland to Stonehenge. The bluestones may have been used in several ways during the different periods of construction. In the final form of the monument they are arranged within the outer circle of sarsens and within the inner horseshoe of larger sarsens.

The monument has long been a symbol of ancient Britain. Over the years, however, our understanding of it has changed radically. This posting considers how Stonehenge has interacted with the British imagination. Because of its striking appearance, images are given as much space as words.

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Winter Light

The coming of the winter twilight clarifies the mind. With the snow the light becomes more intense, the dark more evident, and the remaining colors more obvious. The heightened contrast forces us to think.

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The 1871 painting Winter Twilight from Olana is by Frederic Edwin Church (1826-1900). He was a successful member of the Hudson River School, and at the time of the painting lived on the Olana estate overlooking the river. This small painting (10 by 13 inches) is a vivid representation of winter.

This posting considers the light of winter through four different poems. Read more