Archive for Sculpture

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Caravaggio: The Contarelli Chapel

Michelangelo Merisi da Caravaggio (1571-1610) was born in small community called Caravaggio just east of Milan. He first became recognized as a painter of genius in 1602 when he completed a set of three paintings on the life of Saint Matthew for the Contarelli Chapel in the Church of San Luigi dei Francesi in Rome. Caravaggio had a ferocious temper and in 1606 he killed a man in a brawl and was banished from Rome. After a period of exile in Malta, Sicily and Naples, he negotiated a pardon. However, in Naples in 1609 he was violently assaulted by his enemies. He died in Porte Ercole as he tried to return to Rome. The portrait by Ottavio Leoni derives from the time when Caravaggio was in Rome at the height of his powers, though it was likely completed later.

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Silk Roads: Paths for the Faithful

The Silk Roads were overland routes connecting China to the Mediterranean Sea, which allowed the trading of silk, paper, gold, jewels, horses, and other goods. These began during the 2nd Century BCE at the time of the Roman Empire in the West and the Han Dynasty in the East. The Silk Roads remained active until the 15th Century CE, when they were largely replaced by maritime trading routes. At present they are mainly used for archeological research and tourism. The illustration shows a modern camel caravan in the desert near Dunhuang. As well as trade goods, the Silk Roads facilitated the movement of religious ideas. Judaism, Zoroastrianism, Buddhism, Manichaeism, Christianity, and Islam followed the Silk Roads into China. Mithraism, Manichaeism and Islam spread into Europe.   

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Zoroaster: Struggles between Good and Evil

Zoroaster, a legendary prophet who probably lived toward the end of the 2nd Millennium BCE, proclaimed a new religion based on a belief in a supreme god Ahura Mazda (Lord of Wisdom) who fights for truth and order (asha) against the forces of deceit and chaos (druj) led by Angra Mainyu (Evil Spirit). Since fire is the symbol of asha, Zoroastrian temples contain an eternal sacred flame, which represents the presence of Ahura Mazda. Zoroastrianism is one of the oldest organized religions of the world and one of the smallest, with only about 120,000 adherents in the world today.

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Robert Davidson: Serigraphs

Robert Davidson, one of Canada’s greatest artists, is one of the Haida people, whose ancestral territories are in the Haida Gwaii archipelago off the coast of British Columbia and the southern half of Prince of Wales Island in Alaska. His Haida name is G̲uud San Glans, which means “Eagle of the Dawn.” Davidson is a talented carver of argillite, jewelry and totem poles, a creator of striking masks, and a master of silkscreen printing (serigraphy).    

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Mathis der Maler: the Isenheim Altarpiece

Very little is known about the life of Matthias Grünewald, a painter (German Maler) who worked in the early decades of the 16th Century in Germany. He is renowned for the pictures he created between 1512 and 1516 for the altarpiece of the Monastery of Saint Anthony in Isenheim in southern Alsace. The face of Saint Sebastian in one of these paintings (above) is considered to be a self-portrait. 

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Ely Cathedral: The Ship of the Fens

Ely Cathedral was originally situated on a low island in the middle of the Fens, a region of marshland in eastern England lying inland of the Wash. Because of the flatness of the surrounding land the cathedral could be seen from great distances, appearing as the “Ship of the Fens.” The marshes were drained in the 17th Century, but it is still easy to imagine the building floating above the waters: the embodiment of Auden’s image of the English cathedrals:

Luxury liners laden with souls,
Holding to the east their hulls of stone.
(Auden, 1936, p 43; also McDiarmid, 1978, p 292)

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Frank Lloyd Wright: the Prairie Home

 

Frank Lloyd Wright (1867-1959) was one of the great forces in modern architecture. In the early years of the 20th Century, he designed many beautiful houses in a characteristic style that later defined the Prairie School of Architecture. This post comments on some of these houses.

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In Search of Form: The Sculpture of Henry Moore

Henry Moore (1898-1986), one of the greatest sculptors of the 20th Century, created striking three-dimensional forms using many different techniques – carving, casting, modelling – and many different materials – stone, bronze, iron, wood, concrete, polystyrene. In the words of Herbert Read (1965, p 259)

He is a maker of images – or, as I prefer to call them because they have material existence – of icons, and he is impelled to make these icons by his sense of the forms that are vital to the life of mankind.

Each of Moore’s works was derived from nature, but Moore simplified and abstracted the experience to provide an emotional understanding rather than a sensory representation This essay comments on the nature of form and considers some of Moore’s works.

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The Moissac Portal: Masterpiece of Romanesque Sculpture

n the 9th and 10th Centuries CE, Europe began to awaken from the has come to be known as the Dark Ages. Imposing churches were erected and many of these were decorated with sculptures. This new style of art and architecture, thought to be derived from that of the Roman Empire, has been called “Romanesque.” The sculpture from this time is full of a tremendous vitality and marked by a rich imagination. Some of the most impressive examples adorn the portal of the Abbaye de Saint Pierre in Moissac in southwestern France.

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History, Myth and Fiction

This post describes some of the events that occurred in Ronda, a town in southern Spain, during the summer of 1936. After the Spanish Civil War broke out, Anarchists quickly took control of the town, and murdered many supporters of the Nationalist cause. Two months later, advancing Nationalist forces captured Ronda, and drove most of its people from their homes. Those that refused to leave suffered bloody reprisals. These events quickly became mythic rather than historic. In one story, the Anarchists had murdered the town’s Falangists by having them beaten to death in the town’s plaza and then thrown into the canyon that cuts through the center of the town. Ernest Hemingway recounted this version in his 1940 novel For Whom the Bell Tolls. However, most historians now agree that this never happened.  

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