Modern Chinese Calligraphy: Wang Dongling

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Chinese calligraphy began over 3000 years ago. Over the years several distinct styles of writing evolved: oracle, bronze, seal, clerical, regular, semi-cursive (running) and cursive (grass). The Cultural Revolution (1966-1976) overturned the respect shown to these traditional modes. However, calligraphy flourished in the format of the big-character posters (大字, dàzì bào). In the years following the revolution, Chinese calligraphy became more abstract. One of the most important modern calligraphers is Wang Dongling (王冬). Among his many achievements is a new writing style that he calls “chaos script” 亂書 luànshū.

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Bright is the Ring of Words: English Art Song

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During the 19th Century, composers began to set poems to music. In these “art songs” or Lieder, the piano accompaniment accentuated the emotions and complemented the meaning of the poem. Although Beethoven’s An die ferne Geliebte (1816) was the first cycle of art songs, Schubert was the composer who definitively established the genre. He was followed by Schumann, Brahms, Wolf, and Mahler. In the British Isles, a golden age of art song occurred in the first 20 years of the 20th Century. Young composers, many trained in the German tradition, set to music both the lines they had learned in school and the poems of their contemporaries. The illustration is a wood cut from 1903 by Wassily Kandinsky.

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Caravaggio: The Contarelli Chapel

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Michelangelo Merisi da Caravaggio (1571-1610) was born in small community called Caravaggio just east of Milan. He first became recognized as a painter of genius in 1602 when he completed a set of three paintings on the life of Saint Matthew for the Contarelli Chapel in the Church of San Luigi dei Francesi in Rome. Caravaggio had a ferocious temper and in 1606 he killed a man in a brawl and was banished from Rome. After a period of exile in Malta, Sicily and Naples, he negotiated a pardon. However, in Naples in 1609 he was violently assaulted by his enemies. He died in Porte Ercole as he tried to return to Rome. The portrait by Ottavio Leoni derives from the time when Caravaggio was in Rome at the height of his powers, though it was likely completed later.

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Bai Juyi: Pearls Falling on Jade

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Bai Juyi (白居易, pinyin Bǎi Jūyì, or Po Chü-i in Wade-Gilles transliteration, 772-846 CE) was a Chinese poet. In 815, after inappropriately advising the emperor, he was exiled from the capital Chang’an to JiuJiang on the Yangtze River. One night, at a farewell party on the river for a friend, he heard a musician playing the pipa. Entranced by her music, he found out that she had once been a sought-after courtesan in the capital. After her beauty had faded away, she had retired to the provinces, where she played her music and lamented her lost youth. Moved by her plight, Bai Juyi composed his Pipa Xing (琵琶行, “Ballad of the Pipa”). The illustration shows a drawing of the poet and the pipa player from a scroll by Guo Xu (1456–1532).

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Silk Roads: Paths for the Faithful

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The Silk Roads were overland routes connecting China to the Mediterranean Sea, which allowed the trading of silk, paper, gold, jewels, horses, and other goods. These began during the 2nd Century BCE at the time of the Roman Empire in the West and the Han Dynasty in the East. The Silk Roads remained active until the 15th Century CE, when they were largely replaced by maritime trading routes. At present they are mainly used for archeological research and tourism. The illustration shows a modern camel caravan in the desert near Dunhuang. As well as trade goods, the Silk Roads facilitated the movement of religious ideas. Judaism, Zoroastrianism, Buddhism, Manichaeism, Christianity, and Islam followed the Silk Roads into China. Mithraism, Manichaeism and Islam spread into Europe.   

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Zoroaster: Struggles between Good and Evil

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Zoroaster, a legendary prophet who probably lived toward the end of the 2nd Millennium BCE, proclaimed a new religion based on a belief in a supreme god Ahura Mazda (Lord of Wisdom) who fights for truth and order (asha) against the forces of deceit and chaos (druj) led by Angra Mainyu (Evil Spirit). Since fire is the symbol of asha, Zoroastrian temples contain an eternal sacred flame, which represents the presence of Ahura Mazda. Zoroastrianism is one of the oldest organized religions of the world and one of the smallest, with only about 120,000 adherents in the world today.

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Antonello da Messina: Sicilian Master

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Antonello da Messina (~1430-1479) was born in Messina, Sicily. While studying in Naples, he became aware of a technique of painting using oil-based pigments that had originated in the Netherlands with Jan van Eyck (~1390-1441) and his followers. Antonello soon became a master of this new method. He was an expert portraitist able to capture his sitters’ distinct identities and depths of feeling. The illustration shows a painting from 1473, that was once thought to be a self-portrait, but there is no real evidence for this. Although many of Antonello’s works have been lost, three absolute masterpieces have survived: Saint Jerome in his Study, The Virgin Annunciate, both dated to around 1474, and Saint Sebastien from about 1478.  Read more

Shambhala: Mountain Sanctuary

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Shambhala is a mythical kingdom described in the teachings of Tibetan Buddhism as a place of sanctuary. Paintings show the kingdom isolated from the rest of the world by a ring of mountains. At the center of the kingdom is the capital Kalapa, itself surrounded by another ring of mountains. The palace of the king has roofs of solid gold and is adorned with pearls and other jewels. Outside the capital, rivers divide the kingdom into eight regions arranged like the petals of a lotus flower. Each of these regions contains 12 principalities, so that 96 princes pay allegiance to the king of Shambhala. The illustration shows a Tibetan painting of Shambhala from the 19th Century in the Musée Guimet. Many travellers have tried unsuccessfully to find Shambhala. It remains a spiritual rather than physical place.     

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The Letter of Lord Chandos: Hugo von Hofmannsthal

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In 1901, Hugo von Hofmannsthal (1874-1929) wrote an essay on the inadequacy of language in the form of a letter (Ein Brief) from the fictional Philip Lord Chandos to the actual Francis Bacon (1561-1626), a famous English philosopher of science, essayist and statesman. The letter is a response to Bacon’s inquiry about the two years of unexpected silence that following Chandos’ early success as a poet. Chandos replies that he has “completely lost the ability to think or to speak of anything coherently.” He feels a deep sympathy with the world, but finds no words whereby to express this experience. He seeks but has not yet, found a language “in which inanimate things speak to me and wherein I may one day have to justify myself before an unknown judge.” The illustration shows a 1916 portrait of von Hofmannsthal by Karl Bauer.  

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T. S. Eliot: The Cocktail Party

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T. S. Eliot (1888-1965) wrote The Cocktail Party in 1948. The play begins with people making foolish conversation at a cocktail party but soon proceeds to a discussion of what it means to be married to another person, and what is required to become a saint. It was initially performed at the Edinburgh Festival in 1949 with Alec Guiness as the Unidentified Guest and Irene Worth as Celia, the prospective saint, and then moved to Broadway in 1950, where it received a Tony Award for Best Play. Critical reviews were mixed, but audiences were more enthusiastic. The play was revived briefly in 1968 with Guinness as both director and actor.

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