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Ezra Pound: Hugh Selwyn Mauberley

Aug 18, 2026 / terry / No comments

Ezra Pound (1885-1972) came to London in the summer of 1908. He cobbled together a living as a reviewer and editor for magazines such as The New Age and Poetry. He served as the midwife for modernism by arranging the publication of T. S. Eliot, James Joyce and Hilda Doolittle (H.D.). Sometimes charming, sometimes arrogant, Pound antagonized many of his colleagues in both England the America. His Homage to Sextus Propertius, a set of poems based on the work of the Latin poet, published in Poetry 1918, was panned. Pound left for Europe in the spring of 1921. His publication of Hugh Selwyn Mauberley (1920) served as his farewell to London. The illustration shows a photographic portrait by E. O. Hoppé taken in 1918 and published in 1920.

Category: History, Language, Literature, Music, Painting, Poetry, Psychiatry, Sculpture, Uncategorized / Tags: Anadyomene, Antisemitism, Aphrodite, Bernardino Luini, Edmund Waller, Fascism, Henri Gaudier Brzeska, Homage to Sextus Propertius, Odyssey, Ovid Press, T. S. Eliot, The Cantos, The New Age, World War I

Robert Desnos: Contrée

Jul 19, 2026 / terry / No comments

Robert Desnos (both ‘s’ pronounced, 1900-1945) was a Surrealist French poet. During World War II, after initially serving in the French army, Desnos became an active member of La Résistance. The illustration shows a photograph taken in 1943. On 22 February 1944, Desnos was arrested by the Gestapo and deported to Auschwitz. From there he was transferred to the Flōha labor campe, and finally, in April 1945, to Theresienstadt in Czechoslovakia. Though Theresienstadt was liberated on 8 May, Desnos died there of typhus on 8 June. Contrée (“Against the Grain”), a book of 25 poems celebrating the land of France and its resistance to oppression, was published in 1944.

Category: History, Language, Literature, Poetry / Tags: Andre Breton, Concentration Camps, Deportation, Marcel Duchamp, Picasso, Resistance, Rrose Selavy, Sonnet, Surrealism, Theresienstadt, Vichy France, Youki

Modern Chinese Calligraphy: Wang Dongling

Jun 10, 2026 / terry / No comments

Chinese calligraphy began over 3000 years ago. Over the years several distinct styles of writing evolved: oracle, bronze, seal, clerical, regular, semi-cursive (running) and cursive (grass). The Cultural Revolution (1966-1976) overturned the respect shown to these traditional modes. However, calligraphy flourished in the format of the big-character posters (大字报, dàzì bào). In the years following the revolution, Chinese calligraphy became more abstract. One of the most important modern calligraphers is Wang Dongling (王冬龄). Among his many achievements is a new writing style that he calls “chaos script” 亂書 luànshū.

Category: Art, Language, Literature, Painting, Photography, Poetry / Tags: chaos script, Cultural Revolution, Daodejing, Heart Sutra, Lin Sanzhi, Lu Weizhao, Sha Menghai

Bright is the Ring of Words: English Art Song

May 17, 2026 / terry / No comments

During the 19^th Century, composers began to set poems to music. In these “art songs” or Lieder, the piano accompaniment accentuated the emotions and complemented the meaning of the poem. Although Beethoven’s An die ferne Geliebte (1816) was the first cycle of art songs, Schubert was the composer who definitively established the genre. He was followed by Schumann, Brahms, Wolf, and Mahler. In the British Isles, a golden age of art song occurred in the first 20 years of the 20^th Century. Young composers, many trained in the German tradition, set to music both the lines they had learned in school and the poems of their contemporaries. The illustration is a wood cut from 1903 by Wassily Kandinsky.

Category: Art, Language, Literature, Music, Painting, Poetry / Tags: Battle of the Somme, Butterworth, de la Mare, Denis Browne, Gallipoli, Gurney, Kelly, Lieder, Masefield, Schubert, Shakespeare's Sonnet 18, Stevenson, Tennyson, Vaughan Williams, W.B. Yeats

Bai Juyi: Pearls Falling on Jade

Apr 27, 2026 / terry / No comments

Bai Juyi (白居易, pinyin Bǎi Jūyì, or Po Chü-i in Wade-Gilles transliteration, 772-846 CE) was a Chinese poet. In 815, after inappropriately advising the emperor, he was exiled from the capital Chang’an to JiuJiang on the Yangtze River. One night, at a farewell party on the river for a friend, he heard a musician playing the pipa. Entranced by her music, he found out that she had once been a sought-after courtesan in the capital. After her beauty had faded away, she had retired to the provinces, where she played her music and lamented her lost youth. Moved by her plight, Bai Juyi composed his Pipa Xing (琵琶行, “Ballad of the Pipa”). The illustration shows a drawing of the poet and the pipa player from a scroll by Guo Xu (1456–1532).

Category: Art, History, Literature, Music, Painting, Poetry / Tags: Calligraphy, Chang'an, Jiujiang, Li Bai, Liu Dehai, Orient Pearl Tower, Pipa, Tang dynasty, Wu Man, Xunyang, Yangtze River

Antonello da Messina: Sicilian Master

Feb 24, 2026 / terry / No comments

Antonello da Messina (~1430-1479) was born in Messina, Sicily. While studying in Naples, he became aware of a technique of painting using oil-based pigments that had originated in the Netherlands with Jan van Eyck (~1390-1441) and his followers. Antonello soon became a master of this new method. He was an expert portraitist able to capture his sitters’ distinct identities and depths of feeling. The illustration shows a painting from 1473, that was once thought to be a self-portrait, but there is no real evidence for this. Although many of Antonello’s works have been lost, three absolute masterpieces have survived: Saint Jerome in his Study, The Virgin Annunciate, both dated to around 1474, and Saint Sebastien from about 1478. Read more

Category: Art, History, Language, Literature, Painting, Philosophy, Religion / Tags: Annunciation, Ecco Homo, Giovanni Bellini, Humanism, Humanities, Jan van Eyck, Oil Painting, Petrus Christus, Renaissance Portraits, Saint Jerome, Saint Sebastian

The Letter of Lord Chandos: Hugo von Hofmannsthal

Jan 16, 2026 / terry / No comments

In 1901, Hugo von Hofmannsthal (1874-1929) wrote an essay on the inadequacy of language in the form of a letter (Ein Brief) from the fictional Philip Lord Chandos to the actual Francis Bacon (1561-1626), a famous English philosopher of science, essayist and statesman. The letter is a response to Bacon’s inquiry about the two years of unexpected silence that following Chandos’ early success as a poet. Chandos replies that he has “completely lost the ability to think or to speak of anything coherently.” He feels a deep sympathy with the world, but finds no words whereby to express this experience. He seeks but has not yet, found a language “in which inanimate things speak to me and wherein I may one day have to justify myself before an unknown judge.” The illustration shows a 1916 portrait of von Hofmannsthal by Karl Bauer.

Category: Language, Literature, Music, Poetry, Religion / Tags: Der Rosenkavalier, Elizabeth Costello, Francis Bacon, Fritz Mauthner, J. M. Coetzee, Language Crisis, Ludwig Wittgentsein, Mysticism, Richard Strauss, Tractatus Logico-Philosophicus

T. S. Eliot: The Cocktail Party

Dec 21, 2025 / terry / No comments

T. S. Eliot (1888-1965) wrote The Cocktail Party in 1948. The play begins with people making foolish conversation at a cocktail party but soon proceeds to a discussion of what it means to be married to another person, and what is required to become a saint. It was initially performed at the Edinburgh Festival in 1949 with Alec Guiness as the Unidentified Guest and Irene Worth as Celia, the prospective saint, and then moved to Broadway in 1950, where it received a Tony Award for Best Play. Critical reviews were mixed, but audiences were more enthusiastic. The play was revived briefly in 1968 with Guinness as both director and actor.

Category: Art, Ethics, Literature, Painting, Poetry, Religion / Tags: Albert Camus, Alcestis, An Inspector Calls, Christianity, Christopher Hitchens, Euripides, Heraclitus, It's a Wonderful Life, J.-P. Sartre, Leonora Carrington, Marttyrdom, Mother Teresa, Prometheus Unbound, Sainthood, Shelley, Spirituality, Theatre of the Absurd, Zoroaster

Wu Wei: Effortless Action

Nov 23, 2025 / terry / No comments

One of the central ideas in the Daodjing of Laozi is the idea of wu wei (無為, simplified 无为; wúwéi). This has been translated in many ways: “non-action,” “actionlessness,” “effortless action,” and “doing nothing.” The 37^th chapter of the Daodjing considers wu wei an attribute of the eternal Dao. The 48^th chapter promotes wu wei as a human virtue. The illustration shows wu wei in regular script (left) and in cursive (right).

Category: Ethics, Language, Literature, Philosophy, psychology, Religion / Tags: Butcher Ding, Daodejing, flow, in the zone, Lao Tzu, Laozi, nondual action, Pen bird, Tao Te Ching, Thomas Merton, Zhao Mengfu, Zhuangzi

Laurence Cossé: Le Coin du Voile

Aug 14, 2025 / terry / No comments

Laurence Cossé’s 1996 novel Le coin du voile (A corner of the veil) describes the effects of a new and irrefutable proof for the existence of God. A priest who had resigned his calling to spend months in prayer and abstinence submits the proof for publication in Outlooks, the lay journal of the French Casuists. All those who read it are completely convinced. On seeing its effects, the Provincial of the Casuists decides to keep the proof secret until its effects can be more clearly understood. Finally, the Secretary of State at the Vatican arranges for all those who had read the proof to retire from any contact with the public and for the proof to be kept hidden. The proof becomes a pontifical secret – “a piece of information the Holy Father must not learn under any circumstance.”

Category: Art, Ethics, Literature, Painting, Politics, Religion / Tags: Alfred North Whitehead, Anselm, Antonio Escobar y Mendoza, Arthur Peacocke, Averroes, Benozzo Gozzoli, Blaise Pascal, Causistry, Charles Hartshorne, Ibn Rushd, Jacques Gaillot, Jesuits, panentheism, process theology, Thomas Aquinas

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