Matsuo Basho (1644-1694), one of the most famous poets of Japan, was a master of the haiku, a poetic form in which an abundance of meaning is concentrated into a paucity of syllables. Basho travelled widely in Japan, writing about t his experiences in a fascinating mixture of prose and poetry. In 1689 he undertook his longest journey: from Edo into the far north of Japan, a region known as Oku. His record of that journey is known as Oku no Hosomichi (The Narrow Road to the North).
Zeno of Elea
Zeno of Elea was a Greek philosopher who lived in the 5th Century BCE. He described a set of paradoxes to prove that space and time are continuous and cannot be divided into discrete parts. The most famous of these are the Paradox of Achilles and the Tortoise, which purportedly shows that Achilles could never catch up with the much slower Tortoise, and the Paradox of the Arrow, which shows that an arrow in flight is always stationary.
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Gauguin
In 1891, Paul Gauguin (1848-1903) left his wife and five children and sailed for Tahiti, where he hoped
to immerse myself in virgin nature, to see no one but savages, live their life, with no other thought in mind but to render, the way a child would, the concepts formed in my brain and to do this with the aid of nothing but the primitive means of art, the only means that are good and true (letter quoted in Eisenman, 1997, p 77).
His decision to desert his family and follow his art has been considered by philosophers as a case study in ethics. Was his hope of artistic success adequate justification for his behavior? As luck would have it, Gauguin did become a famous artist, albeit posthumously. Can this retrospectively vindicate his flight to Tahiti? These issues are complex – both in the abstract and in terms of Gauguin’s actual life.
Robinson Jeffers (1887-1962) was an American poet who celebrated the beauty of California’s coast. In 1914 he and his wife Una settled in Carmel. In 1919 Jeffers and his family moved into Tor House, a home that he and a stone-mason had built on Carmel Point using rocks from the shore. From 1920 to 1924 he built by himself the adjacent Hawk Tower. Jeffers became famous soon after the publication of Tamar and Other Poems in 1924. This book and those that followed included both long narratives and shorter lyrics. His epics were bloody and tragic; his verse was free and passionate. Underlying his poems was an austere philosophy of “inhumanism.” This compared the transience of humanity to the persistence of the natural world, and proposed that we should detach ourselves from the passions of mankind and simply celebrate the beauty of the universe. Over the next decade, Jeffers published extensively and in 1932 his photograph graced the cover of Time. After World War II, his outrage at the death and destruction that occurred during the war and the severity of his inhumanist philosophy led to controversy and obscurity. In more recent years, the environmental movement has found inspiration in his love of the natural world and his anger about how humanity has despoiled it.
Edward Hopper (1882-1967) painted the independence and the loneliness of 20th-Century America. He was a realist in the days when most painters tended toward the abstract. Yet his paintings incite the imagination far more than the works of any abstract expressionist. His enigmatic images force the viewer to wonder what is going on:
Hopper was neither an illustrator nor a narrative painter. His paintings don’t tell stories. What they do is suggest—powerfully, irresistibly—that there are stories within them, waiting to be told. He shows us a moment in time, arrayed on a canvas; there’s clearly a past and a future, but it’s our task to find it for ourselves. (Block, 2016, p viii).
More than any other painter, Hopper has inspired writers to find the stories and meanings behind his paintings. This post summarizes his life, describes his working methods, and presents some of his pictures together with the writings they have stimulated.
The Cathars
From the 12th to 15th Centuries groups of people called the Cathars lived quietly in various regions of Western Europe – Northern Italy, the Rhineland and, most especially, Southern France. They followed the moral teachings of Jesus, forsaking worldly goods and loving one another, but they did not believe in the basic theology of Christianity. They considered that the world was evil, that human beings were spirits imprisoned in the flesh, and that the soul could only be set free at death if one had lived a life of purity. The Catholic Church considered these beliefs heretical, and in 1208 Pope Innocent III called for a crusade to eradicate the heresy. Named after the inhabitants of the city of Albi which had a flourishing Cathar population, the Albigensian Crusade lasted from 1209 until 1229. After years of terrible violence and cruelty, most of those who professed Cathar beliefs were dead. All that now remains of these peaceful people are the ruins of the hilltop castles in which they sought refuge.
Paul Cézanne (1839-1906) learned to experience nature with the vividness of the Impressionists but evolved his own individual style of painting. How he perceived the world was as important as the way it appeared. For most of his life he lived and painted in Aix-en-Provence. He had no students and his work became recognized only toward the end of his life. Nevertheless, many of the proponents of the modernist movement that began in the first decade of the 20th Century acknowledged Cézanne as their artistic father (Hook, 2021). This post comments on some of his paintings.
Apostola apostolorum
In the gospels of the Christian New Testament, Mary Magdalene was the first person to recognize the risen Christ. He told her to tell the disciples the news of his resurrection, thus honoring her as the “apostle to the apostles.” In the Gnostic Gospels she appears as a visionary disciple of Jesus. In the centuries after her life, her story was conflated with that of the sinful woman who anointed the feet of Jesus at a feast in the house of Simon, and Mary thus became a model of repentance. This posting discusses these and other ways in which we conceive of Mary Magdalene.
Frames of Reference: The Art of William Kurelek
This post discusses the life and work of William Kurelek (1927-1977), one of the most distinctive and prolific Canadian painters of the latter half of the 20th Century. Kurelek was a figurative artist during the heyday of Abstract Expressionism, and a fervent Christian artist in the years of unbridled secularism. His work should be considered in the context of a life framed by memory, madness and religion (Kurelek, 1980; Morley, 1986). The post contains illustrations of many of his paintings, which can speak for themselves independently of my commentary.
Windfall Light is an old man’s self-indulgence: a small book of poems written over the course of my life. The cover shows a painting by Paul Klee. The title comes from a poem by Dylan Thomas. Most of the poems are formal in style, although the rhymes are as often slant as regular. This post presents three poems from the book.