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Friedrich Hölderlin: Little Knowledge but Joy Enough

Apr 22, 2025 / terry / No comments

Johann Christian Friedrich Hölderlin (1770-1843) was one of Germany’s greatest lyric poets. He was exquisitely sensitive to the beauties of the natural world, and thoroughly enamoured to the glories of Ancient Greece. His verses are strikingly beautiful in their sound, and have been set to music by many composers. As a young man he was very productive, writing poems and the epistolary novel Hyperion (1799). He also made important new translations of Sophocles’ Oedipus and Antigone. However, in 1806 he lapsed into madness. From 1807 until his death, he lived alone in a room overlooking the Neckar River in Tübingen. He mumbled to himself in many languages, and occasionally wrote brief fragments of verse for visitors, signing them with various pseudonyms and fictitious dates. This posting considers some of his poetry.The text of the poems can been enlarged by clicking on them to get a separate window. Read more

Category: Art, History, Language, Literature, Music, Poetry, Psychiatry / Tags: Alcaic Stanzas, Fates, French Revolution, Greek Independence, Heidegger, Hyperion, Moirai, Nazi Propaganda, Neckar River, Paul Celan, Romanticism, Stefan Zwieg, translation

Mathis der Maler: the Isenheim Altarpiece

Apr 6, 2025 / terry / No comments

Very little is known about the life of Matthias Grünewald, a painter (German Maler) who worked in the early decades of the 16^th Century in Germany. He is renowned for the pictures he created between 1512 and 1516 for the altarpiece of the Monastery of Saint Anthony in Isenheim in southern Alsace. The face of Saint Sebastian in one of these paintings (above) is considered to be a self-portrait.

Category: Art, History, Medicine, Music, Painting, Religion, Sculpture / Tags: Albrecht von Brandenburg, Ergotism, German Peasant's War, Hospital Brothers of Saint Anthony, Isenheim, Martin Luther, Matthias Grünewald, Nicklaus Hagenauer, Otto Dix, Paul Hindemith, Saint Anthony the Great, Saint Anthony's Fire, Saint Paul, Unterlinden Museum, W. G Sebald, World War I

Paul Klee: Color and Music

Mar 16, 2025 / terry / No comments

The paintings of Paul Klee (1879-1940) gave us a new way to look at the world, allowing us to go beyond our immediate perceptions and see the underlying forms.

Kunst gibt nicht das Sichtbare wieder, sondern macht sichtbar.
Art does not reproduce the visible; rather, it makes visible.
(Klee, Creative Confession, 1920/2013, part I).

Color and music were the two great principles underlying his art. The tonal relations between colors and the rhythms of their spatial presentation combine to give us understanding. Many composers have sought to express Klee’s paintings in their music, to complement his colors with their notes. This essay presents some of these compositions. On the right is a portrait of Paul Klee by Hugo Erfurth in 1922

Category: Art, History, Music, Painting, Poetry / Tags: Bauhaus, Blauer Reiter, Cubism, Degenerate Art, Franz Marc, Fugue, Nazism, Orphism, Paul Verlaine, Polyphony, Rainer Maria Rilke, Robert Delaunay, Scleroderma, Walter Gropius, Wassily Kandinsky

Ely Cathedral: The Ship of the Fens

Mar 5, 2025 / terry / No comments

Ely Cathedral was originally situated on a low island in the middle of the Fens, a region of marshland in eastern England lying inland of the Wash. Because of the flatness of the surrounding land the cathedral could be seen from great distances, appearing as the “Ship of the Fens.” The marshes were drained in the 17^th Century, but it is still easy to imagine the building floating above the waters: the embodiment of Auden’s image of the English cathedrals:

Luxury liners laden with souls,
Holding to the east their hulls of stone.
(Auden, 1936, p 43; also McDiarmid, 1978, p 292)

Category: Architecture, Art, History, Photography, Poetry, Psychiatry, Religion, Sculpture / Tags: Augustine of Canterbury, Cathedral, Dissolution of the monasteries, Ethelreda, Gothic, Henry VIII, Lady Chapel, Normans, Philip Larkin, Reformation, Richard Goodrich, Romanesque, Saxons, Sean Henry, Thomas Cromwell, Thomas Wynne, W. H Auden

Looking at the Human Brain: from Vesalius to the Present

Feb 4, 2025 / terry / No comments

Andreas Vesalius (1514-1564) published his De Humani Corporis Fabrica (On the Fabric of the Human Body) in 1543 (O’Malley, 1964). This book, based on dissections of human cadavers, provided illustrations of the human brain that were both anatomically correct and esthetically pleasing. The scientists that followed Vesalius expanded on our knowledge, and produced their own representations of the human brain. This essay traces the evolution of these pictures.

Category: Art, History, Medicine, Neuroscience / Tags: Anne Carson, Brain Stem, Cerebral Cortex, Charles Bell, Christfried Jacob, Corpus Callosum, Diffusion Tensor Imaging, Fornix, Henry Gray, Henry Vandyke Carter, Hippocampus, John Willis, Limbic System, Magnetic Resonance Imaging, Papez, Rembrandt, Vesalius, Vicq d'Azyr

Words and Music: Schubert and Goethe

Jan 21, 2025 / terry / No comments

Franz Peter Schubert (1797-1828) died young, but not before he was able to compose music that has become justly famous. As well as symphonies, piano works, sacred music, and chamber works, he composed over 600 songs or Lieder. This essay considers a few of his over 70 settings for poems by Johann Wolfgang von Goethe (1749-1832)

Category: History, Literature, Music / Tags: Erlkonig, Faust, Franz Schubert, Goethe, Gretchen am Spinnrade, Lieder, Mignon, Song of the Harper, Wilhelm Meisters Apprenticeship

The Moissac Portal: Masterpiece of Romanesque Sculpture

Nov 27, 2024 / terry / No comments

In the 9^th and 10^th Centuries CE, Europe began to awaken from the has come to be known as the Dark Ages. Imposing churches were erected and many of these were decorated with sculptures. This new style of art and architecture, thought to be derived from that of the Roman Empire, has been called “Romanesque.” The sculpture from this time is full of a tremendous vitality and marked by a rich imagination. Some of the most impressive examples adorn the portal of the Abbaye de Saint Pierre in Moissac in southwestern France.

Category: Architecture, Art, History, Language, Religion, Sculpture / Tags: Abbaye Saint Pierre de Moissac, Ansquitil, Apocalypse, Apostle Paul, Bosom of Abraham, Christ in Majesty, Dives and Lazarus, Durand de Bredon, Flight to Egypt, Gospels, Jeremiah, John of Patmos, Moissac, Monastery, Revelation, Romanesque, Twenty-four Elders, Tympanum

Some of the Evil of my Tale: Lawrence of Arabia

Nov 18, 2024 / terry / 3 comments

In late 1916, Thomas Edward Lawrence (1888-1935), a British intelligence officer stationed in Cairo, was assigned as a military liaison officer to the forces of Hussein bin Ali al-Hashimi, the Sharif of Mecca, who, with his sons Ali, Abdullah and Faisal had initiated the Arab Revolt against the Ottoman Turks in June 1916. Lawrence quickly adapted to the ways of his hosts and gained their trust. Under his leadership, the Arabs took the city of Aqaba in July 1917. This allowed the British to supply both their own army and the Arab rebels as they advanced on Jerusalem and Damascus. Lawrence led the Arabs as they disrupted the Hejaz Railway, and harried the Turkish army. His exploits were recorded on film and widely publicized by the American journalist Lowell Thomas, from whom came the epithet “Lawrence of Arabia.” Lawrence published a memoir of his experiences in 1927, Revolt in the Desert. A much more complete and introspective book on the Arab Revolt, Seven Pillars of Wisdom, was not formally published until after his death in 1935.

Category: Art, History, Literature, Painting, Philosophy, psychology, Religion / Tags: Aqaba, Arab Revolt, Asraq, Augustine, Burroughs motorcycle, Damascus, Deraa, Edmund Allenby, Faisal ibn Hussein, Hejaz, Hussein bin Ali al-Hashimi, Iraq, Jerusalem, Jordan, Lowell Thomas, masochism, Mecca, Palestine, Paris Peace Conferences, Seven Pillars of Wisdom, Syria, T. E. Lawrence

Le Corbusier: The Measurement of Man

Oct 13, 2024 / terry / No comments

Le Corbusier (1887-1965) was a Swiss-born architect, painter and urban planner. He is generally considered as one of the main forces in the development of modernist architecture. UNESCO has designated 17 of his building projects as “world heritage sites,” more than any other architect. In the 1940s Le Corbusier developed a system of measurements called the Modulor to assist in the fitting buildings to human beings. The first building to be constructed using the Modulor was the Unité d’Habitation, a striking and innovative residential building in Marseille, begun in 1947 and completed in 1952. In recent years, Le Corbusier has been criticized for his antisemitism and his fascist leanings. These critiques do not detract from the importance of his work but do explain how his buildings sometimes seem inhuman.

Category: Architecture, History, Politics / Tags: Antisemitism, Brutalism, Chandigarh, Communal Housing, Domino Plan, Fascism, Fibonacci, Golden Ratio, Jane Jacobs, Le Modulor, Leonardo da Vinci, Plan Voisin, Reinforced Concrete, Ronchamp, Unité d’Habitation

First Snow, Algoma

Sep 13, 2024 / terry / One comment

Alexander Young Jackson (1882-1974) studied art in France and Italy during the first years of the 20^th Century. He learned the techniques of the Impressionists but was also affected by Van Gogh and Cézanne. After painting for a while in Quebec, he moved from Montreal to Toronto in 1914, and became friends with James MacDonald (1873-1932), Lawren Harris (1885-1970) and Tom Thomson (1877-1917). This group of painters began to paint en plein air in the wilderness in Northern Ontario. Their paintings forged a new style of landscape painting that combined aspects of neo-impressionism, art deco, and expressionism. In 1915, Jackson enlisted in the Canadian army and was wounded in 1916. After convalescence he returned to active service as an official war artist from 1917 to 1919. In late 1919, he joined Harris, MacDonald and Frank Johnston (1888-1949) on a trip to the Algoma wilderness. Drawings and oil sketches from this trip provided the basis for his 1920 painting First Snow, Algoma. In 1920, Jackson became a founding member of the Group of Seven, an association of Canadian landscape artists, which lasted from 1920 to 1933.

Category: Art, History, Painting / Tags: A. Y. Jackson, Algoma Central Railway, Algonquin Park, Canadian War Artists, Frank Johnston, Group of Seven, J. E. H. MacDonald, Lawren Harris, Tom Thomson, World War I, Ypres

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