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Caravaggio: The Contarelli Chapel

May 8, 2026 / terry / No comments

Michelangelo Merisi da Caravaggio (1571-1610) was born in small community called Caravaggio just east of Milan. He first became recognized as a painter of genius in 1602 when he completed a set of three paintings on the life of Saint Matthew for the Contarelli Chapel in the Church of San Luigi dei Francesi in Rome. Caravaggio had a ferocious temper and in 1606 he killed a man in a brawl and was banished from Rome. After a period of exile in Malta, Sicily and Naples, he negotiated a pardon. However, in Naples in 1609 he was violently assaulted by his enemies. He died in Porte Ercole as he tried to return to Rome. The portrait by Ottavio Leoni derives from the time when Caravaggio was in Rome at the height of his powers, though it was likely completed later.

Category: Art, History, Painting, Poetry, Religion, Sculpture / Tags: Calling, Creation of Adam, Giuseppi Cesari, Inspiration, Jacques Cobaert, Karen Fish, Martyrdom, Matthieu Cointreau, Michelangelo, Saint Matthew, San Luigi Dei Francesi, Tenebrism

Silk Roads: Paths for the Faithful

Apr 12, 2026 / terry / No comments

The Silk Roads were overland routes connecting China to the Mediterranean Sea, which allowed the trading of silk, paper, gold, jewels, horses, and other goods. These began during the 2^nd Century BCE at the time of the Roman Empire in the West and the Han Dynasty in the East. The Silk Roads remained active until the 15^th Century CE, when they were largely replaced by maritime trading routes. At present they are mainly used for archeological research and tourism. The illustration shows a modern camel caravan in the desert near Dunhuang. As well as trade goods, the Silk Roads facilitated the movement of religious ideas. Judaism, Zoroastrianism, Buddhism, Manichaeism, Christianity, and Islam followed the Silk Roads into China. Mithraism, Manichaeism and Islam spread into Europe.

Category: Architecture, Art, History, Painting, Poetry, Religion, Sculpture / Tags: Abbasid Caliphate, Buddhism, Central Asia, Church of the East, Dunhuang, Gandhara, Han Dynasty, James Elroy Flecker, Judaism, Manichaeism, Mithraism, Roman Empire, Samarkand, Sogdians, Tang dynasty, Tauroctony, Zoroastrianism

Zoroaster: Struggles between Good and Evil

Mar 21, 2026 / terry / No comments

Zoroaster, a legendary prophet who probably lived toward the end of the 2^nd Millennium BCE, proclaimed a new religion based on a belief in a supreme god Ahura Mazda (Lord of Wisdom) who fights for truth and order (asha) against the forces of deceit and chaos (druj) led by Angra Mainyu (Evil Spirit). Since fire is the symbol of asha, Zoroastrian temples contain an eternal sacred flame, which represents the presence of Ahura Mazda. Zoroastrianism is one of the oldest organized religions of the world and one of the smallest, with only about 120,000 adherents in the world today.

Category: Art, Ethics, History, Language, Religion, Sculpture / Tags: Achaemenid Empire, Ahura Mazda, Asha, Dakhma, Dariu the Great, Dualism, Eternal return, Final Judgement, Mani, Manichaeism, Mithra, Mithraeum, Mithraism, Monotheism, Nietzsche, Parsis, Sasanian Emprire, Slave Morality, Tauroctony, Ubermensch, Zarathustra, Zoroastrianism

Antonello da Messina: Sicilian Master

Feb 24, 2026 / terry / No comments

Antonello da Messina (~1430-1479) was born in Messina, Sicily. While studying in Naples, he became aware of a technique of painting using oil-based pigments that had originated in the Netherlands with Jan van Eyck (~1390-1441) and his followers. Antonello soon became a master of this new method. He was an expert portraitist able to capture his sitters’ distinct identities and depths of feeling. The illustration shows a painting from 1473, that was once thought to be a self-portrait, but there is no real evidence for this. Although many of Antonello’s works have been lost, three absolute masterpieces have survived: Saint Jerome in his Study, The Virgin Annunciate, both dated to around 1474, and Saint Sebastien from about 1478. Read more

Category: Art, History, Language, Literature, Painting, Philosophy, Religion / Tags: Annunciation, Ecco Homo, Giovanni Bellini, Humanism, Humanities, Jan van Eyck, Oil Painting, Petrus Christus, Renaissance Portraits, Saint Jerome, Saint Sebastian

Shambhala: Mountain Sanctuary

Feb 10, 2026 / terry / No comments

Shambhala is a mythical kingdom described in the teachings of Tibetan Buddhism as a place of sanctuary. Paintings show the kingdom isolated from the rest of the world by a ring of mountains. At the center of the kingdom is the capital Kalapa, itself surrounded by another ring of mountains. The palace of the king has roofs of solid gold and is adorned with pearls and other jewels. Outside the capital, rivers divide the kingdom into eight regions arranged like the petals of a lotus flower. Each of these regions contains 12 principalities, so that 96 princes pay allegiance to the king of Shambhala. The illustration shows a Tibetan painting of Shambhala from the 19^th Century in the Musée Guimet. Many travellers have tried unsuccessfully to find Shambhala. It remains a spiritual rather than physical place.

Category: Architecture, Art, History, Painting, Philosophy, Politics, Religion / Tags: Akbar the Great, Annexation of Tibet, Cultural Revolution, Dalai Lama, James Hilton, Lake Manasarovar, Lhasa, Lost Horizon, Mount Kailash, Nicholas Roerich, Red Guards, Shangri La, Spread of Buddhism, Tibet, Tibetan Buddhism, tourism

The Letter of Lord Chandos: Hugo von Hofmannsthal

Jan 16, 2026 / terry / No comments

In 1901, Hugo von Hofmannsthal (1874-1929) wrote an essay on the inadequacy of language in the form of a letter (Ein Brief) from the fictional Philip Lord Chandos to the actual Francis Bacon (1561-1626), a famous English philosopher of science, essayist and statesman. The letter is a response to Bacon’s inquiry about the two years of unexpected silence that following Chandos’ early success as a poet. Chandos replies that he has “completely lost the ability to think or to speak of anything coherently.” He feels a deep sympathy with the world, but finds no words whereby to express this experience. He seeks but has not yet, found a language “in which inanimate things speak to me and wherein I may one day have to justify myself before an unknown judge.” The illustration shows a 1916 portrait of von Hofmannsthal by Karl Bauer.

Category: Language, Literature, Music, Poetry, Religion / Tags: Der Rosenkavalier, Elizabeth Costello, Francis Bacon, Fritz Mauthner, J. M. Coetzee, Language Crisis, Ludwig Wittgentsein, Mysticism, Richard Strauss, Tractatus Logico-Philosophicus

T. S. Eliot: The Cocktail Party

Dec 21, 2025 / terry / No comments

T. S. Eliot (1888-1965) wrote The Cocktail Party in 1948. The play begins with people making foolish conversation at a cocktail party but soon proceeds to a discussion of what it means to be married to another person, and what is required to become a saint. It was initially performed at the Edinburgh Festival in 1949 with Alec Guiness as the Unidentified Guest and Irene Worth as Celia, the prospective saint, and then moved to Broadway in 1950, where it received a Tony Award for Best Play. Critical reviews were mixed, but audiences were more enthusiastic. The play was revived briefly in 1968 with Guinness as both director and actor.

Category: Art, Ethics, Literature, Painting, Poetry, Religion / Tags: Albert Camus, Alcestis, An Inspector Calls, Christianity, Christopher Hitchens, Euripides, Heraclitus, It's a Wonderful Life, J.-P. Sartre, Leonora Carrington, Marttyrdom, Mother Teresa, Prometheus Unbound, Sainthood, Shelley, Spirituality, Theatre of the Absurd, Zoroaster

Wu Wei: Effortless Action

Nov 23, 2025 / terry / No comments

One of the central ideas in the Daodjing of Laozi is the idea of wu wei (無為, simplified 无为; wúwéi). This has been translated in many ways: “non-action,” “actionlessness,” “effortless action,” and “doing nothing.” The 37^th chapter of the Daodjing considers wu wei an attribute of the eternal Dao. The 48^th chapter promotes wu wei as a human virtue. The illustration shows wu wei in regular script (left) and in cursive (right).

Category: Ethics, Language, Literature, Philosophy, psychology, Religion / Tags: Butcher Ding, Daodejing, flow, in the zone, Lao Tzu, Laozi, nondual action, Pen bird, Tao Te Ching, Thomas Merton, Zhao Mengfu, Zhuangzi

Laozi: the Nature of the Dao

Nov 23, 2025 / terry / 2 comments

Laozi (老子, lǎozǐ, “the old master”) was a legendary character from the 6^th Century BCE who put together a collection of philosophical and ethical sayings that has come to be known as the Dàodéjing (道德經 simplified:道德经; or Tao Te Ching in the Wade-Giles romanization, “The Book of the Way and of Virtue”) or Laozi after the name of the author. The illustration shows a depiction of Laozi from a scroll by Sheng Mao. Following the discovery of early versions of the text written on silk and bamboo slips dating to the 2^nd Century BCE (Chan, 2016, 2025), several new translations and annotated editions have been published. This essay presents a close reading of the first chapter.

Category: Art, History, Language, Painting, Philosophy, Poetry, Religion / Tags: Alan Watts, being, Coleridge, Daodejing, Daoism, desire, LaoTzu, Naming, pantheism, Spinoza, Tao Te Ching, Wordsworth, Zhuangzi

Wang Wei: the Wheel River Poems

Oct 20, 2025 / terry / No comments

Wang Wei (王维; traditional 王維; pinyin, Wáng Wéi; 699–761) was a Chinese musician, painter, and poet during the Tang Dynasty (618 to 907). He was a devout Buddhist and used the courtesy name Wang Weimojie in homage to the early Buddhist teacher and boddhisattva Vimalakirti (Chinese name 維摩詰 Wéimójí). Vimalakirti taught the practice of sunyata (Sanskrit, emptiness; Chinese 空性 Kōng xìng), a meditative state wherein the mind is emptied of the self and becomes one with the universe. After a tumultuous life, Wang Wei retired to his villa on the Wang River about 40 km southeast of the imperial capital Chang’an (present day Xi’an). There he composed the Wǎngchuān jí (辋川集 The Wheel River Collection): a set of twenty quatrains describing various locations near his villa. Each quatrain was accompanied by a reply from his protégé Pei Di (裴迪 pinyin, Péi Dí, 714-?).

Category: Art, History, Language, Painting, Poetry, Religion, Uncategorized / Tags: An Lushan Rebellion, Calligraphy, Chan Buddhism, Chinese Poetry, Confucianism, Deer Park, Du Fu, High Tang Poetry, Li Bai, Pei Di, Sunyata, Taoism, Wangchuan Ji

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