Alexander Young Jackson (1882-1974) studied art in France and Italy during the first years of the 20th Century. He learned the techniques of the Impressionists but was also affected by Van Gogh and Cézanne. After painting for a while in Quebec, he moved from Montreal to Toronto in 1914, and became friends with James MacDonald (1873-1932), Lawren Harris (1885-1970) and Tom Thomson (1877-1917). This group of painters began to paint en plein air in the wilderness in Northern Ontario. Their paintings forged a new style of landscape painting that combined aspects of neo-impressionism, art deco, and expressionism. In 1915, Jackson enlisted in the Canadian army and was wounded in 1916. After convalescence he returned to active service as an official war artist from 1917 to 1919. In late 1919, he joined Harris, MacDonald and Frank Johnston (1888-1949) on a trip to the Algoma wilderness. Drawings and oil sketches from this trip provided the basis for his 1920 painting First Snow, Algoma. In 1920, Jackson became a founding member of the Group of Seven, an association of Canadian landscape artists, which lasted from 1920 to 1933.
Tag Archive for World War I
The Saddest Story
“This is the saddest story I have ever heard.” So begins Ford Madox Ford’s 1915 novel The Good Soldier: A Tale of Passion. The narrator, John Dowell, and his wife Florence were rich Americans, living in Europe. They spent their summers at the spa town of Bad Nauheim, Germany, where Florence underwent therapy for her heart condition. In 1904, the Dowells had met an English couple, Edward and Leonora Ashburnham, at the spa. In the following summers, the two couples continued to meet there:
We had known the Ashburnhams for nine seasons of the town of Nauheim with an extreme intimacy – or, rather with an acquaintanceship as loose and easy and yet as close as a good glove’s with your hand. My wife and I knew Captain and Mrs. Ashburnham as well as it was possible to know anybody, and yet, in another sense, we knew nothing at all about them (p. 11).
The narrator immediately triggers our interest. He also alerts us that he may not completely understand the story he is about to tell us. Why is it the saddest story he has ever heard? Who told it to him? We shall quickly find out that he was one of the main characters in the story. He directly experienced most of its events, but was apparently quite unaware of their causes. His understanding was pieced together later from what others told him, and may not be correct. We may have to figure out what happened for ourselves.
This posting considers the story and its context. It describes the complex relationship between two couples in Europe in the years leading up to the outbreak of World War I. It shows a way of life that was falling apart, and a world wherein one was no longer governed by any general morality, but simply sought what one desired.
Remembrance
The onset of World War I brought into question the very idea of European civilization. Mankind’s ongoing progress to a better world appeared no longer pre-ordained. Promises of future peace and plenty were forever broken. Henry James wrote in a letter to Howard Sturgis on August 5, the day after Britain declared war of Germany.
The plunge of civilization into the abyss of blood and darkness by the wanton fiat of those two infamous autocrats is a thing that so gives away the whole long age during which we had supposed the world to be, with whatever abatement, gradually bettering, that to have to take it all now for what the treacherous years were all the while really making for and meaning is too tragic for my words. (James, 1920, p 398)
(The “autocrats” were Kaiser Wilhelm II of Germany and Franz Josef I of Austria.) The complex sentence is typical of James, the master of convoluted qualification. Rudyard Kipling later said the same in fewer words in his Common Form for the Epitaphs of the War:
If any question why we died,
Tell them, because our fathers lied.