Archive for History

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Zoroaster: Struggles between Good and Evil

Zoroaster, a legendary prophet who probably lived toward the end of the 2nd Millennium BCE, proclaimed a new religion based on a belief in a supreme god Ahura Mazda (Lord of Wisdom) who fights for truth and order (asha) against the forces of deceit and chaos (druj) led by Angra Mainyu (Evil Spirit). Since fire is the symbol of asha, Zoroastrian temples contain an eternal sacred flame, which represents the presence of Ahura Mazda. Zoroastrianism is one of the oldest organized religions of the world and one of the smallest, with only about 120,000 adherents in the world today.

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Antonello da Messina: Sicilian Master

Antonello da Messina (~1430-1479) was born in Messina, Sicily. While studying in Naples, he became aware of a technique of painting using oil-based pigments that had originated in the Netherlands with Jan van Eyck (~1390-1441) and his followers. Antonello soon became a master of this new method. He was an expert portraitist able to capture his sitters’ distinct identities and depths of feeling. The illustration shows a painting from 1473, that was once thought to be a self-portrait, but there is no real evidence for this. Although many of Antonello’s works have been lost, three absolute masterpieces have survived: Saint Jerome in his Study, The Virgin Annunciate, both dated to around 1474, and Saint Sebastien from about 1478.  Read more

Shambhala: Mountain Sanctuary

Shambhala is a mythical kingdom described in the teachings of Tibetan Buddhism as a place of sanctuary. Paintings show the kingdom isolated from the rest of the world by a ring of mountains. At the center of the kingdom is the capital Kalapa, itself surrounded by another ring of mountains. The palace of the king has roofs of solid gold and is adorned with pearls and other jewels. Outside the capital, rivers divide the kingdom into eight regions arranged like the petals of a lotus flower. Each of these regions contains 12 principalities, so that 96 princes pay allegiance to the king of Shambhala. The illustration shows a Tibetan painting of Shambhala from the 19th Century in the Musée Guimet. Many travellers have tried unsuccessfully to find Shambhala. It remains a spiritual rather than physical place.     

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Prime Numbers: Mysterious Building Blocks

 

A prime number is one that can only be divided by 1 and itself. Prime numbers are the building blocks for all the natural numbers, each of which can be expressed as a unique product of primes. Although their primacy can be proven by demonstrating that they are not divisible by any other number, where the prime numbers occur among the natural numbers cannot be predicted. Prime numbers are as mysterious as they are essential. The illustration shows the 25 primes (yellow) that occur in the first 100 numbers. 

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Laozi: the Nature of the Dao

Laozi (老子, lǎozǐ, “the old master”) was a legendary character from the 6th Century BCE who put together a collection of philosophical and ethical sayings that has come to be known as the Dàodéjing (道德經 simplified:道德经; or Tao Te Ching in the Wade-Giles romanization, “The Book of the Way and of Virtue”) or Laozi after the name of the author. The illustration shows a depiction of Laozi from a scroll by Sheng Mao. Following the discovery of early versions of the text written on silk and bamboo slips dating to the 2nd Century BCE (Chan, 2016, 2025), several new translations and annotated editions have been published. This essay presents a close reading of the first chapter.   

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A Way of Writing: The Art of Chinese Calligraphy

Chinese calligraphy (書法, simplified 书法, shūfǎ, literally ‘way of writing’) is the art of writing Chinese characters (漢字, simplified 汉字, hànzì) with a brush. Together with poetry and painting, calligraphy is considered one of the “Three Perfections” (三絕 sānjué) of Chinese art. This essay reviews the development of calligraphy and provides some examples of its beauty. The illustration shows the calligraphy of the characters of shūfǎ in regular and semi-cursive styles.

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Wang Wei: the Wheel River Poems

Wang Wei (王维; traditional 王維; pinyin, Wáng Wéi; 699–761) was a Chinese musician, painter, and poet during the Tang Dynasty (618 to 907). He was a devout Buddhist and used the courtesy name Wang Weimojie in homage to the early Buddhist teacher and boddhisattva Vimalakirti (Chinese name 維摩詰 Wéimójí). Vimalakirti taught the practice of sunyata (Sanskrit, emptiness; Chinese 空性 Kōng xìng), a meditative state wherein the mind is emptied of the self and becomes one with the universe. After a tumultuous life, Wang Wei retired to his villa on the Wang River about 40 km southeast of the imperial capital Chang’an (present day Xi’an). There he composed the Wǎngchuān jí (辋川集 The Wheel River Collection): a set of twenty quatrains describing various locations near his villa. Each quatrain was accompanied by a reply from his protégé Pei Di (裴迪 pinyin, Péi Dí, 714-?).

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Paul-Émile Borduas: Le Refus Global

Paul-Émile Borduas (1905-1960) was a Quebec artist who became world-famous in the 1950s for his striking abstract paintings. In the early 1940s he had founded Les Automatistes, a group of artists interested in Surrealism. In 1948, he and his colleague had published the Refus Global (Total Refusal), a manifesto urging his fellow Québécois to throw off the oppressive authority of the Union Nationale Party and the Catholic Church. His call to freedom antagonized those in power. After being fired from his teaching position, he left Canada to work in New York and Paris. Shortly after his death in February 1960, the Liberal Party defeated the Union Nationale in the Provincial Election in June, 1960, and La Révolution Tranquille (Quiet Revolution) began to modernize Quebec society.     

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W. H. Auden: September 1, 1939

Wystan Hugh Auden (1907-1973) and Christopher Isherwood (1904-1986) arrived in the United States of America on January 26, 1939. The ostensible reason for their visit was to write a book on the United States, to be published by the Hogarth Press with the title Address Not Known. The two writers had just completed a book on China, Journey to a War, which was to come out in March. However, other reasons played a larger role in their decision to emigrate. Both writers were tired of the hypocrisy, complacency and insularity of British literary life. Auden claimed, “An artist ought either to live where he has live roots or where he has no roots at all.” (Davenport-Hines, 1995, p 180). In New York City they took lodging in the George Washington Hotel at Lexington and 23rd St., had their photographs taken by Carl van Vechten, visited with Thomas Mann and his family in Princeton, wrote reviews for American magazines, and gave readings of their work. At one of these readings in April, Auden met the 18-year-old Chester Kallman (1921-1975), and fell deeply in love. The two were to remain together for the rest of Auden’s life. In June, Auden and Kallman departed on a two-month trip by Greyhound Bus across the United States, that served as their honeymoon. They visited New Orleans, stayed for a while with Frieda Lawrence in Taos, and ended up in Laguna Beach in California. On August 28, 1939, they arrived back in Manhattan.

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Wallace Stevens: Toward a Supreme Fiction

Wallace Stevens (1879-1955) was an American modernist poet. Born in Reading, Pennsylvania, and educated at Harvard and the New York Law School, he worked as an executive for The Hartford Insurance Company in Connecticut. The photograph by Sylvia Salmi was taken in the 1940s, at which time he was vice-president of the company. In his free time Stevens wrote poems, publishing his first book Harmonium in 1923. Throughout his life he considered poetry as the “supreme fiction,” something that could replace religion in human life, and provide us with a more complete understanding than that provided by science or philosophy. In 1942 he published a set of poems entitled Notes toward a Supreme Fiction, to illustrate the nature and power of poetry.

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