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Shambhala: Mountain Sanctuary

Feb 10, 2026 / terry / One comment

Shambhala is a mythical kingdom described in the teachings of Tibetan Buddhism as a place of sanctuary. Paintings show the kingdom isolated from the rest of the world by a ring of mountains. At the center of the kingdom is the capital Kalapa, itself surrounded by another ring of mountains. The palace of the king has roofs of solid gold and is adorned with pearls and other jewels. Outside the capital, rivers divide the kingdom into eight regions arranged like the petals of a lotus flower. Each of these regions contains 12 principalities, so that 96 princes pay allegiance to the king of Shambhala. The illustration shows a Tibetan painting of Shambhala from the 19^th Century in the Musée Guimet. Many travellers have tried unsuccessfully to find Shambhala. It remains a spiritual rather than physical place.

Category: Architecture, Art, History, Painting, Philosophy, Politics, Religion / Tags: Akbar the Great, Annexation of Tibet, Cultural Revolution, Dalai Lama, James Hilton, Lake Manasarovar, Lhasa, Lost Horizon, Mount Kailash, Nicholas Roerich, Red Guards, Shangri La, Spread of Buddhism, Tibet, Tibetan Buddhism, tourism

Prime Numbers: Mysterious Building Blocks

Dec 12, 2025 / terry / No comments

A prime number is one that can only be divided by 1 and itself. Prime numbers are the building blocks for all the natural numbers, each of which can be expressed as a unique product of primes. Although their primacy can be proven by demonstrating that they are not divisible by any other number, where the prime numbers occur among the natural numbers cannot be predicted. Prime numbers are as mysterious as they are essential. The illustration shows the 25 primes (yellow) that occur in the first 100 numbers.

Category: History, Mathematics / Tags: Bernhard Riemann, Erastosthenes, Euclid, Friedrich Gauss, Goldbach's conjecture, Leonhard Euler, number theory, Pierre de Fermat, Prime Number Theorem, Riemann hypothesis, Twin Primes

Laozi: the Nature of the Dao

Nov 23, 2025 / terry / 2 comments

Laozi (老子, lǎozǐ, “the old master”) was a legendary character from the 6^th Century BCE who put together a collection of philosophical and ethical sayings that has come to be known as the Dàodéjing (道德經 simplified:道德经; or Tao Te Ching in the Wade-Giles romanization, “The Book of the Way and of Virtue”) or Laozi after the name of the author. The illustration shows a depiction of Laozi from a scroll by Sheng Mao. Following the discovery of early versions of the text written on silk and bamboo slips dating to the 2^nd Century BCE (Chan, 2016, 2025), several new translations and annotated editions have been published. This essay presents a close reading of the first chapter.

Category: Art, History, Language, Painting, Philosophy, Poetry, Religion / Tags: Alan Watts, being, Coleridge, Daodejing, Daoism, desire, LaoTzu, Naming, pantheism, Spinoza, Tao Te Ching, Wordsworth, Zhuangzi

A Way of Writing: The Art of Chinese Calligraphy

Nov 6, 2025 / terry / No comments

Chinese calligraphy (書法, simplified 书法, shūfǎ, literally ‘way of writing’) is the art of writing Chinese characters (漢字, simplified 汉字, hànzì) with a brush. Together with poetry and painting, calligraphy is considered one of the “Three Perfections” (三絕 sānjué) of Chinese art. This essay reviews the development of calligraphy and provides some examples of its beauty. The illustration shows the calligraphy of the characters of shūfǎ in regular and semi-cursive styles.

Category: Art, History, Language, Painting, Poetry / Tags: Bada Shanren, Cangjie, Clerical Script, Cursive Script, Deng Shiru, Lotus Sutra, Ni Zan, Oracle Script, Regular Script, Seal Script, Shufa, Six Gentlemen, Thousand Character Classic, Wang Jiqian, Xu Chu, Zhang Xu, Zhao Mengfu

Wang Wei: the Wheel River Poems

Oct 20, 2025 / terry / No comments

Wang Wei (王维; traditional 王維; pinyin, Wáng Wéi; 699–761) was a Chinese musician, painter, and poet during the Tang Dynasty (618 to 907). He was a devout Buddhist and used the courtesy name Wang Weimojie in homage to the early Buddhist teacher and boddhisattva Vimalakirti (Chinese name 維摩詰 Wéimójí). Vimalakirti taught the practice of sunyata (Sanskrit, emptiness; Chinese 空性 Kōng xìng), a meditative state wherein the mind is emptied of the self and becomes one with the universe. After a tumultuous life, Wang Wei retired to his villa on the Wang River about 40 km southeast of the imperial capital Chang’an (present day Xi’an). There he composed the Wǎngchuān jí (辋川集 The Wheel River Collection): a set of twenty quatrains describing various locations near his villa. Each quatrain was accompanied by a reply from his protégé Pei Di (裴迪 pinyin, Péi Dí, 714-?).

Category: Art, History, Language, Painting, Poetry, Religion, Uncategorized / Tags: An Lushan Rebellion, Calligraphy, Chan Buddhism, Chinese Poetry, Confucianism, Deer Park, Du Fu, High Tang Poetry, Li Bai, Pei Di, Sunyata, Taoism, Wangchuan Ji

Paul-Émile Borduas: Le Refus Global

Aug 7, 2025 / terry / No comments

Paul-Émile Borduas (1905-1960) was a Quebec artist who became world-famous in the 1950s for his striking abstract paintings. In the early 1940s he had founded Les Automatistes, a group of artists interested in Surrealism. In 1948, he and his colleague had published the Refus Global (Total Refusal), a manifesto urging his fellow Québécois to throw off the oppressive authority of the Union Nationale Party and the Catholic Church. His call to freedom antagonized those in power. After being fired from his teaching position, he left Canada to work in New York and Paris. Shortly after his death in February 1960, the Liberal Party defeated the Union Nationale in the Provincial Election in June, 1960, and La Révolution Tranquille (Quiet Revolution) began to modernize Quebec society.

Category: Art, History, Painting, Politics, Religion / Tags: abstract expressionism, André Breton, Jackson Pollock, La Révolution Tranquille, les automatistes, Marie Alain Couturier, Ozias Leduc, Quebec, Riopelle, Surrealism

W. H. Auden: September 1, 1939

Jul 21, 2025 / terry / No comments

Wystan Hugh Auden (1907-1973) and Christopher Isherwood (1904-1986) arrived in the United States of America on January 26, 1939. The ostensible reason for their visit was to write a book on the United States, to be published by the Hogarth Press with the title Address Not Known. The two writers had just completed a book on China, Journey to a War, which was to come out in March. However, other reasons played a larger role in their decision to emigrate. Both writers were tired of the hypocrisy, complacency and insularity of British literary life. Auden claimed, “An artist ought either to live where he has live roots or where he has no roots at all.” (Davenport-Hines, 1995, p 180). In New York City they took lodging in the George Washington Hotel at Lexington and 23^rd St., had their photographs taken by Carl van Vechten, visited with Thomas Mann and his family in Princeton, wrote reviews for American magazines, and gave readings of their work. At one of these readings in April, Auden met the 18-year-old Chester Kallman (1921-1975), and fell deeply in love. The two were to remain together for the rest of Auden’s life. In June, Auden and Kallman departed on a two-month trip by Greyhound Bus across the United States, that served as their honeymoon. They visited New Orleans, stayed for a while with Frieda Lawrence in Taos, and ended up in Laguna Beach in California. On August 28, 1939, they arrived back in Manhattan.

Category: History, Literature, Poetry, Politics, Religion / Tags: 1930s, Chester Kallman, Christopher Isherwood, Fifty-Second Street, Great Depression, Louis MacNeice, Sergei Diaghilev, Skyscrapers, Spanish Civil War, Vaslav Nijinsky, World War II

Wallace Stevens: Toward a Supreme Fiction

Jul 6, 2025 / terry / No comments

Wallace Stevens (1879-1955) was an American modernist poet. Born in Reading, Pennsylvania, and educated at Harvard and the New York Law School, he worked as an executive for The Hartford Insurance Company in Connecticut. The photograph by Sylvia Salmi was taken in the 1940s, at which time he was vice-president of the company. In his free time Stevens wrote poems, publishing his first book Harmonium in 1923. Throughout his life he considered poetry as the “supreme fiction,” something that could replace religion in human life, and provide us with a more complete understanding than that provided by science or philosophy. In 1942 he published a set of poems entitled Notes toward a Supreme Fiction, to illustrate the nature and power of poetry.

Category: History, Language, Literature, Philosophy, Poetry, Religion / Tags: Florida Keys, George Santayana, Harry Duncan, Hartford Insurance, Henry Church, Los, Modernism, Percy Bysshe Shelley, Romanticism, William Blake

Black Square: The Russian Avant-Garde

Jun 8, 2025 / terry / No comments

At the Last Futurist Exhibition of Paintings 0,10 in Petrograd in 1915, Kazimir Severinovich Malevich (1879-1935) presented a set of Suprematist paintings. Among them was a small (80 cm square) canvas showing a black square on a white background. The painting was the final step in the rebellion against representational art: pure form without content. Black Square became emblematic of the Russian Avant-Garde, a modernist movement in Russian art, which predated the Russian Revolution, and then enthusiastically celebrated the new world brought forth by that revolution. However, the new politics did not embrace the new art. In the 1920s, the Avant-Garde was criticized as “formalist,” and replaced by the more politically amenable art of Socialist Realism.

Category: Art, History, Painting, Politics / Tags: Abstract Art, Constructionsim, Cubism, El Lissitsky, Futurism, Kazimir Malevich, Lyubov Popova, Mark Rothko, Modernist Revolution, Rosa Luxemburg, Russian Revolution, Socialist Realism, Suprematism, Vladimir Tatlin, Wassily Kandinsky

Sakura Hanami: Cherry Blossom Viewing

May 29, 2025 / terry / No comments

Sakura Hanami (桜花見, cherry blossom viewing), an age-old tradition in Japan, derived from the Chinese practice of enjoying wine and poetry beneath plum blossoms. In Japan cherry trees were more common and by the Heian period (794–1185) Japanese emperors held sakura hanami parties for the court. The custom soon spread to the samurai, and later to the common people. In the early 18^th Century, the shogun Tokugawa Yoshimune planted cherry trees in Asukayama park in the northern reaches of Tokyo, and opened up the park to its citizens. Nowadays thousands of people visit this and other parks to enjoy the blossoms, drink sake and feast on dumplings and cakes. In many places, temporary paper lanterns are hung to allow yozakura (夜桜, night sakura). Read more

Category: Art, History, Music, Painting, Poetry / Tags: Asukayama, Basho, Buson, haiku, Hiroshige, Hokusai, Japanese cherry, koto, Kunisada, Onitsura, Prunus serrulata, Santoka, Ukiyo-e, Yonishida, Yoshino

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