Paul Klee: Color and Music

image_pdfimage_print
The paintings of Paul Klee (1879-1940) gave us a new way to look at the world, allowing us to go beyond our immediate perceptions and see the underlying forms. 

Kunst gibt nicht das Sichtbare wieder, sondern macht sichtbar.
Art does not reproduce the visible; rather, it makes visible.
(Klee, Creative Confession, 1920/2013, part I).

Color and music were the two great principles underlying his art. The tonal relations between colors and the rhythms of their spatial presentation combine to give us understanding. Many composers have sought to express Klee’s paintings in their music, to complement his colors with their notes. This essay presents some of these compositions. On the right is a portrait of Paul Klee by Hugo Erfurth in 1922

Read more

Ely Cathedral: The Ship of the Fens

image_pdfimage_print

Ely Cathedral was originally situated on a low island in the middle of the Fens, a region of marshland in eastern England lying inland of the Wash. Because of the flatness of the surrounding land the cathedral could be seen from great distances, appearing as the “Ship of the Fens.” The marshes were drained in the 17th Century, but it is still easy to imagine the building floating above the waters: the embodiment of Auden’s image of the English cathedrals:

Luxury liners laden with souls,
Holding to the east their hulls of stone.
(Auden, 1936, p 43; also McDiarmid, 1978, p 292)

Read more

Frank Lloyd Wright: the Prairie Home

image_pdfimage_print

 

Frank Lloyd Wright (1867-1959) was one of the great forces in modern architecture. In the early years of the 20th Century, he designed many beautiful houses in a characteristic style that later defined the Prairie School of Architecture. This post comments on some of these houses.

Read more

Looking at the Human Brain: from Vesalius to the Present

image_pdfimage_print

Andreas Vesalius (1514-1564) published his De Humani Corporis Fabrica (On the Fabric of the Human Body) in 1543 (O’Malley, 1964). This book, based on dissections of human cadavers, provided illustrations of the human brain that were both anatomically correct and esthetically pleasing. The scientists that followed Vesalius expanded on our knowledge, and produced their own representations of the human brain. This essay traces the evolution of these pictures.

Read more

Words and Music: Schubert and Goethe

image_pdfimage_print

Franz Peter Schubert (1797-1828) died young, but not before he was able to compose music that has become justly famous. As well as symphonies, piano works, sacred music, and chamber works, he composed over 600 songs or Lieder. This essay considers a few of his over 70 settings for poems by Johann Wolfgang von Goethe (1749-1832)

Read more

In Search of Form: The Sculpture of Henry Moore

image_pdfimage_print

Henry Moore (1898-1986), one of the greatest sculptors of the 20th Century, created striking three-dimensional forms using many different techniques – carving, casting, modelling – and many different materials – stone, bronze, iron, wood, concrete, polystyrene. In the words of Herbert Read (1965, p 259)

He is a maker of images – or, as I prefer to call them because they have material existence – of icons, and he is impelled to make these icons by his sense of the forms that are vital to the life of mankind.

Each of Moore’s works was derived from nature, but Moore simplified and abstracted the experience to provide an emotional understanding rather than a sensory representation This essay comments on the nature of form and considers some of Moore’s works.

Read more

The Moissac Portal: Masterpiece of Romanesque Sculpture

image_pdfimage_print

n the 9th and 10th Centuries CE, Europe began to awaken from the has come to be known as the Dark Ages. Imposing churches were erected and many of these were decorated with sculptures. This new style of art and architecture, thought to be derived from that of the Roman Empire, has been called “Romanesque.” The sculpture from this time is full of a tremendous vitality and marked by a rich imagination. Some of the most impressive examples adorn the portal of the Abbaye de Saint Pierre in Moissac in southwestern France.

Read more

Some of the Evil of my Tale: Lawrence of Arabia

image_pdfimage_print

 

In late 1916, Thomas Edward Lawrence (1888-1935), a British intelligence officer stationed in Cairo, was assigned as a military liaison officer to the forces of Hussein bin Ali al-Hashimi, the Sharif of Mecca, who, with his sons Ali, Abdullah and Faisal had initiated the Arab Revolt against the Ottoman Turks in June 1916. Lawrence quickly adapted to the ways of his hosts and gained their trust. Under his leadership, the Arabs took the city of Aqaba in July 1917. This allowed the British to supply both their own army and the Arab rebels as they advanced on Jerusalem and Damascus. Lawrence led the Arabs as they disrupted the Hejaz Railway, and harried the Turkish army. His exploits were recorded on film and widely publicized by the American journalist Lowell Thomas, from whom came the epithet “Lawrence of Arabia.” Lawrence published a memoir of his experiences in 1927, Revolt in the Desert. A much more complete and introspective book on the Arab Revolt, Seven Pillars of Wisdom, was not formally published until after his death in 1935.

Read more

Vincent van Gogh in Saint-Rémy

image_pdfimage_print

In May 1889, following several psychotic episodes in Arles, Vincent van Gogh (1853-1890) voluntarily admitted himself to the asylum at the monastery of Saint-Paul-de-Mausole in Saint-Rémy-de-Provence. He stayed there for just over a year. Despite several further episodes of severe depression and madness, van Gogh was incredibly prolific during this period, producing about 150 paintings, among them Starry Night.

Read more

Le Corbusier: The Measurement of Man

image_pdfimage_print

Le Corbusier (1887-1965) was a Swiss-born architect, painter and urban planner. He is generally considered as one of the main forces in the development of modernist architecture. UNESCO has designated 17 of his building projects as “world heritage sites,” more than any other architect. In the 1940s Le Corbusier developed a system of measurements called the Modulor to assist in the fitting buildings to human beings. The first building to be constructed using the Modulor was the Unité d’Habitation, a striking and innovative residential building in Marseille, begun in 1947 and completed in 1952. In recent years, Le Corbusier has been criticized for his antisemitism and his fascist leanings. These critiques do not detract from the importance of his work but do explain how his buildings sometimes seem inhuman.  

Read more