Archive for Art

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Shambhala: Mountain Sanctuary

Shambhala is a mythical kingdom described in the teachings of Tibetan Buddhism as a place of sanctuary. Paintings show the kingdom isolated from the rest of the world by a ring of mountains. At the center of the kingdom is the capital Kalapa, itself surrounded by another ring of mountains. The palace of the king has roofs of solid gold and is adorned with pearls and other jewels. Outside the capital, rivers divide the kingdom into eight regions arranged like the petals of a lotus flower. Each of these regions contains 12 principalities, so that 96 princes pay allegiance to the king of Shambhala. The illustration shows a Tibetan painting of Shambhala from the 19th Century in the Musée Guimet. Many travellers have tried unsuccessfully to find Shambhala. It remains a spiritual rather than physical place.     

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T. S. Eliot: The Cocktail Party

 

T. S. Eliot (1888-1965) wrote The Cocktail Party in 1948. The play begins with people making foolish conversation at a cocktail party but soon proceeds to a discussion of what it means to be married to another person, and what is required to become a saint. It was initially performed at the Edinburgh Festival in 1949 with Alec Guiness as the Unidentified Guest and Irene Worth as Celia, the prospective saint, and then moved to Broadway in 1950, where it received a Tony Award for Best Play. Critical reviews were mixed, but audiences were more enthusiastic. The play was revived briefly in 1968 with Guinness as both director and actor.

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Laozi: the Nature of the Dao

Laozi (老子, lǎozǐ, “the old master”) was a legendary character from the 6th Century BCE who put together a collection of philosophical and ethical sayings that has come to be known as the Dàodéjing (道德經 simplified:道德经; or Tao Te Ching in the Wade-Giles romanization, “The Book of the Way and of Virtue”) or Laozi after the name of the author. The illustration shows a depiction of Laozi from a scroll by Sheng Mao. Following the discovery of early versions of the text written on silk and bamboo slips dating to the 2nd Century BCE (Chan, 2016, 2025), several new translations and annotated editions have been published. This essay presents a close reading of the first chapter.   

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A Way of Writing: The Art of Chinese Calligraphy

Chinese calligraphy (書法, simplified 书法, shūfǎ, literally ‘way of writing’) is the art of writing Chinese characters (漢字, simplified 汉字, hànzì) with a brush. Together with poetry and painting, calligraphy is considered one of the “Three Perfections” (三絕 sānjué) of Chinese art. This essay reviews the development of calligraphy and provides some examples of its beauty. The illustration shows the calligraphy of the characters of shūfǎ in regular and semi-cursive styles.

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Wang Wei: the Wheel River Poems

Wang Wei (王维; traditional 王維; pinyin, Wáng Wéi; 699–761) was a Chinese musician, painter, and poet during the Tang Dynasty (618 to 907). He was a devout Buddhist and used the courtesy name Wang Weimojie in homage to the early Buddhist teacher and boddhisattva Vimalakirti (Chinese name 維摩詰 Wéimójí). Vimalakirti taught the practice of sunyata (Sanskrit, emptiness; Chinese 空性 Kōng xìng), a meditative state wherein the mind is emptied of the self and becomes one with the universe. After a tumultuous life, Wang Wei retired to his villa on the Wang River about 40 km southeast of the imperial capital Chang’an (present day Xi’an). There he composed the Wǎngchuān jí (辋川集 The Wheel River Collection): a set of twenty quatrains describing various locations near his villa. Each quatrain was accompanied by a reply from his protégé Pei Di (裴迪 pinyin, Péi Dí, 714-?).

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Laurence Cossé: Le Coin du Voile

Laurence Cossé’s 1996 novel Le coin du voile (A corner of the veil) describes the effects of a new and irrefutable proof for the existence of God. A priest who had resigned his calling to spend months in prayer and abstinence submits the proof for publication in Outlooks, the lay journal of the French Casuists. All those who read it are completely convinced. On seeing its effects, the Provincial of the Casuists decides to keep the proof secret until its effects can be more clearly understood. Finally, the Secretary of State at the Vatican arranges for all those who had read the proof to retire from any contact with the public and for the proof to be kept hidden. The proof becomes a pontifical secret – “a piece of information the Holy Father must not learn under any circumstance.”  

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Paul-Émile Borduas: Le Refus Global

Paul-Émile Borduas (1905-1960) was a Quebec artist who became world-famous in the 1950s for his striking abstract paintings. In the early 1940s he had founded Les Automatistes, a group of artists interested in Surrealism. In 1948, he and his colleague had published the Refus Global (Total Refusal), a manifesto urging his fellow Québécois to throw off the oppressive authority of the Union Nationale Party and the Catholic Church. His call to freedom antagonized those in power. After being fired from his teaching position, he left Canada to work in New York and Paris. Shortly after his death in February 1960, the Liberal Party defeated the Union Nationale in the Provincial Election in June, 1960, and La Révolution Tranquille (Quiet Revolution) began to modernize Quebec society.     

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Black Square: The Russian Avant-Garde

At the Last Futurist Exhibition of Paintings 0,10 in Petrograd in 1915, Kazimir Severinovich Malevich (1879-1935) presented a set of Suprematist paintings. Among them was a small (80 cm square) canvas showing a black square on a white background. The painting was the final step in the rebellion against representational art: pure form without content. Black Square became emblematic of the Russian Avant-Garde, a modernist movement in Russian art, which predated the Russian Revolution, and then enthusiastically celebrated the new world brought forth by that revolution. However, the new politics did not embrace the new art. In the 1920s, the Avant-Garde was criticized as “formalist,” and replaced by the more politically amenable art of Socialist Realism.

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Sakura Hanami: Cherry Blossom Viewing

Sakura Hanami (桜 花見, cherry blossom viewing), an age-old tradition in Japan, derived from the Chinese practice of enjoying wine and poetry beneath plum blossoms. In Japan cherry trees were more common and by the Heian period (794–1185) Japanese emperors held sakura hanami parties for the court. The custom soon spread to the samurai, and later to the common people. In the early 18th Century, the shogun Tokugawa Yoshimune planted cherry trees in Asukayama park in the northern reaches of Tokyo, and opened up the park to its citizens. Nowadays thousands of people visit this and other parks to enjoy the blossoms, drink sake and feast on dumplings and cakes. In many places, temporary paper lanterns are hung to allow yozakura (夜桜, night sakura). Read more

Robert Davidson: Serigraphs

Robert Davidson, one of Canada’s greatest artists, is one of the Haida people, whose ancestral territories are in the Haida Gwaii archipelago off the coast of British Columbia and the southern half of Prince of Wales Island in Alaska. His Haida name is G̲uud San Glans, which means “Eagle of the Dawn.” Davidson is a talented carver of argillite, jewelry and totem poles, a creator of striking masks, and a master of silkscreen printing (serigraphy).    

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